James Cameron’s epic disaster/romance was, at the time of its release, the most expensive film ever made (with a $200 million budget), the first film to ever reach a billion dollars at the box office, and the highest-grossing film of all time (until it was unseated by Cameron’s Avatar more than a decade later). The film that truly launched Leonardo DiCaprio’s career into the stratosphere (and a thousand memes about whether two grown adults could fit on a door), the cultural impact of Titanic is… well, titanic. Also along for the hilariously troubling ride are Steve Buscemi, Peter Stormare, a variety of unknowns brandishing distinctive local accents, and, perhaps most unforgettably, a woodchipper. Frances McDormand won an Oscar (as did the Coens for their screenplay) for her portrayal as police chief Marge Gunderson, whose no-nonsense yet good-hearted instincts ultimately prove to be Jerry’s downfall. Macy) who arranges to have his wife kidnapped with the hopes of solving his money problems, only for things to go from bad to worse to the absolute worst. I’m not gonna debate! The Coen brothers’ Fargo is the perfect mix of dark comedy and thriller that the pair excel at, telling the true-but-not-really-true story of regular schmoe Jerry Lundegaard (a painfully smiley William H. of that era, with Singleton paving the way for a whole generation of African-American filmmakers. ![]() This seminal film remains a poignant look at the grim realities of life in South Central L.A. Boyz focuses on the lifelong friendship between Tre and siblings "Doughboy" and Ricky, whose diverging yet equally tragic paths eventually force Tre to decide between right and wrong, life and death. This 1991 coming-of-age tale earned the late John Singleton the distinction of being both the youngest person and the first African-American to ever be nominated for an Academy Award as Best Director. And let's be real - that opening assassination and river fight scene are dope as hell. Ghost in the Shell is proof that the genre is far deeper than neon lights and rain-soaked streets the film serves as a stark reminder of what being human looks like in a world where humanity is sorely lacking. Its bold vision of a dystopia seems like the natural follow-up to what cyberpunk is, following Ridley Scott's Blade Runner and Katsuhiro Otomo's Akira. ![]() This landmark film continues to be worthy of all the praise and buzz it's accrued over the years since its 1995 release. ![]() It's difficult to come up with something interesting to say about Mamoru Oshii's Ghost in the Shell that wouldn't just be walking all over thoroughly covered ground - and for good reason.
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